LeRoy Downs Hosts CD Release Party for Karin Carson Saturday January 23rd in San Diego
by jazzcat on Jan.22, 2010, under News
The Debut Album Release By San Diego Jazz Vocalist
Karin Carson
SAN DIEGO, CA – DECEMBER 01, 2009 – Chameleon Industries is proud to present Karin Carson.
Saturday, January 23rd, 2010 San Diego Jazz Vocalist and President of the San Diego Jazz Musicians Guild introduces “The Time Is Now” a much anticipated release featuring some of the best Jazz Musicians on today's scene. The line up includes Christian McBride on Bass, Gregory Hutchinson on Drums, Joshua White on Piano, Derek Cannon on Trumpet & Tom Catanzaro on Saxophone. Hosted by the one and only Jazz Cat, LeRoy Downs.
Hosted at the exquisite Tango Del Rey and sponsored in part by Chameleon Industries, The San Diego Jazz Musicians Guild, Michael Klayman Photography, Kin Agency for the Arts, Pacific Coast Jazz & That Other Label. A portion of all ticket sales will go to benefit the San Diego Jazz Musicians Guild. 6:00PM – 7:00PM: Doors Open – Artist Reception Photography Presentation: Michael Klayman.
7:30PM & 9:30PM: “The Time Is Now” Album Release Concert. Students – One Set $20/ Both $30; General – One Set $25/ Both $35. Tango Del Rey – 3567 Del Rey Street – San Diego, CA 92109 / RSVP: 619.977.4074 / Click here for a map to the location. / Click here to purchase tickets. ABOUT THE ARTIST: Karin Carson – Shyne – Vocals
Karin Carson is a talented and highly appealing jazz singer as can be heard on her recent recording debut, The Time Is Now. However Miss Carson is more than just a vocalist for she is an organizer, a spokeswoman, and an activist for the jazz music that she loves. She makes things happen, whether it is gigs for her fellow musicians, publicity for jazz, or new musical partnerships.
The granddaughter of a trumpeter Peter Sirna, who played jazz in the San Diego area in the 1950s and '60s, Karin Carson grew up around music and, even very early in life, she was organizing musical events. “I sang every chance I could get. I sang in choruses and put together my own shows when there wasn't anything going on. In classes I was always very eager to organize groups, even as a child.” She put together kid productions that had dancing, gymnastics and puppet shows. In high school Karin sang jazz-inspired arrangements with a gospel choir, became involved in musical theater, and organized a group that performed at festivals. “We paid our own way and choreographed moves to all of the music ourselves.” While attending Grossmont College where at first she took classes that trained her in classical music, Karin became drawn to jazz while taking a big band course. “I started singing with a jazz band but I did not quite understand the music. Kristin Korb, one of my teachers, suggested I see her perform at an IAJE conference in Los Angeles. While there, one day I walked into a room where Patrice Rushen and Ndugu Chancler were playing passionate music before an enthusiastic and large audience. The vibe was so sympathetic that I got a rush of joy. I looked around the room and I knew that this was home. This was what I was supposed to be doing and, if I could make people feel the way I felt at that moment, that is what I should do with my life.”
Never one to sit by passively and wait around for opportunities that might not come, Karin quickly became an advocate for jazz. When budget cuts in 2004 threatened the music department, she started a music club called Melodia and organized a talent show that raised money for the department. She became successful at writing grant applications, resulting in new instruments being acquired for the Afro-Cuban ensemble and the refurbishment of instruments for the college.
Karin picked up important experience working as the promotions assistant at Jazz 88.3-FM in San Diego and behind the scenes at the Monterey Jazz Festival. She has interacted closely with the administration and the artists at Monterey to see how the festival really works so she could bring her knowledge back to San Diego.
Back home, she formed The San Diego Jazz Musicians Guild in April 2009. The idea had originally come to her back in 2000. “I wanted to do a documentary on the history of jazz in San Diego, and it morphed into something much bigger. Our goal is to build bridges across the global liberal arts community through jazz. We help young people to get involved in doing what they love by holding jam sessions, giving people of all ages opportunities to see the music and play, and also building up the jazz community. We had our grand opening in April and brought together jazz musicians from San Diego who had never actually met before. Since our inception, we have presented over 200 musicians and artists alike and continue to grow.”
In her own singing career, Karin sings regularly in the San Diego area (including at the Enchanted Village), hosts the Live Jazz Jam at the South Park Bar & Grill and the Jazz Collective at Tango Del Rey, Jack & Giulio's and occasionally performs out of town for the City Nights Jazz series presented by the Mike Raynor Quartet at the Inn at Morro Bay.
Her debut recording, The Time Is Now, teams Karin with a brilliant rhythm section. “Pianist-keyboardist Joshua White was one of the first people that I asked because we have played together for many years. I knew the great Christian McBride and he offered to play on the album. Gregory Hutchinson is a friend of his, and one of Christian's top picks for drummer, so he was a natural choice.” Some selections also have guests including trumpeter Derek Cannon and saxophonist Tom Cantanzaro, background singers Leanne Wright Yip and Bridget Allen, and percussionists. The music is a mixture of favorite jazz standards and a few surprises. Among the many highlights are an unusual uptempo version of Duke Ellington's “Prelude To A Kiss” (which is otherwise always taken as a ballad), a rendition of “Lush Life” that has Karin accompanied by Christian McBride on piano, and a vocal-bass duet on “Save Your Love For Me.” All of the music was recorded during a single studio session and a concert that took place the following day. Karin wrote the title track of “The Time Is Now” when she was starting college. The collection as a whole, forms a soundtrack for her purposeful life since that time and throughout, Karin sounds at her best, interpreting the lyrics with plenty of feeling.
Karin Carson, who was recently nominated by the San Diego Music Awards for “Best Jazz,” looks forward to the future with enthusiasm. “My life is an ongoing process and I can't say for sure what the future holds for me. I would really love to tour, see the world and make a lot of music. Whatever my future is, I want to make a difference.” She already has and it is a sure bet that plenty of important accomplishments are in her future. – Written by Scott Yanow
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ABOUT THE BAND:
Christian McBride – The Boss – Bass
The finest musicians to spring from the world of jazz have clearly had an advantage when it comes to branching into other genres of music. Their mastery of composition, arranging and sight reading coupled with their flair for improvisation and spontaneous creation make them possibly the most seasoned and adaptable musicians in the art. Grammy Award winner Christian McBride, chameleonic virtuoso of the acoustic and electric bass, stands tall at the top of this clique. Beginning in 1989 – the beginning of an amazing career in which he still has wider-reaching goals to attain – the Philadelphian has thus far been first-call-requested to accompany literally hundreds of fine artists, ranging in an impressive array from McCoy Tyner and Sting to Kathleen Battle and Diana Krall. However, it is his own recordings – albums that encompass a diverse canon of original compositions and imaginatively arranged covers – that reveal the totality of his musicianship. He currently leads one of the hottest bands in music – the propulsive Christian McBride Band (saxophonist Ron Blake, Gregory Hutchinson – The Great – Drums Magazine describes him as “the drummer of his generation” and indeed, Gregory Hutchinson is one of the most highly respected musicians of our time. His mastery of timing and expression of rhythms is at the core of his personal style. He is a musician's drummer, soundly rooted in the jazz tradition he is able to approach all styles of music with supreme accuracy and imagination, decorating compositions with his natural feel and mind blowing innovation. His professional career began right out of high school, when he was introduced to Red Rodney after playing in a Big Band for a year. He quickly became known as a young phenom in the jazz community sharing the stage with the likes of not only Rodney, but Betty Carter, and Ray Brown while still in his early twenties. He is one of the few musicians today who had the opportunity to collaborate with some of the great orginators of jazz music. Since then he has worked with a virtual who's who of the jazz world including: Dianne Reeves, Wynton Marsalis, Roy Hargrove, Charles Lloyd, Diana Krall, Harry Connick Jr, Joshua Redman, Christian McBride and Maria Schneider. His time signatures and beat compositions have won him praise from the hip hop community as well leading him to work with powerhouses Common, Madlib and Questlove of the Roots.. Click here for complete Bio. Joshua White – The Original – Piano performer, classical pianist, and composer. He began formal piano training at the age of seven and became the organist and pianist for the Encanto Southern Baptist Church by age 10. After competing in several classical music competitions, Joshua chose to focus his work on jazz, drawing inspiration from its many innovators. In the past year he has performed at many of San Diego's top venues including Anthology, Dizzy's, and the Athenaeum Music and Arts Library. He was also a featured guest at the 2007 Ensenada Jazz Festival. He recently founded The Joshua White Modern Music Project with Nick Venditti – Tenor Sax, Tommy Holladay – Guitar, Jeff Denson – Bass, and Jens Kuross – Drums, a Southern California-based group focused on performing original music. Joshua's enthusiasm and dedication to music is phenomenal and he is sure to become one of jazz's major talents. He also recently recorded with internationally recognized bassist Christian McBride and looks forward to a promising career in music. Click here for more information. Derek Cannon – Mr. D.C. – Trumpet if music was playing and put my head against the stereo speaker in total amazement of what I was hearing. So, music was indeed my first love. fourth grade. I heard it on a record when I was eight or nine, and it was love at first sound. My parents wanted me to play the saxophone but I was determined to play the trumpet. My father also plays the trumpet, so I'm sure without even realizing it I was being influenced by him. My good friend and brother Walter Beasley and I used to drive around in my car in high school and listen to George Duke, Ronnie Laws, Earth, Wind, and Fire, the Stylistics, Motown, Charlie Parker, Grover Washington, Clifford Brown, Miles Davis, Tower of Power, and anything else we could get our hands on. By the time I reached High School the band program had been long established as the place to be. We had a Concert Band, Jazz Band, Orchestra, Pep Band, and a Rock Combo. I played in them all. My father is my musical mentor, and quite frankly the greatest man known to me. After graduating from Central High, I attended Imperial Valley College and then transferred to San Diego State University where I earned a Bachelors Degree in Music Education, and a Masters Degree in Jazz Studies. I have served as Director of Jazz Studies at Chicago State University, and I'm currently employed in the same capacity at Grossmont College. Click here for more information. Tom Catanazaro – Tom Cat – Saxophone picked up the saxophone at the age of 11. He was drawn to jazz music very early and began performing at age 13 with several traditional jazz bands and big bands, and gospel groups. By age 15, he won first place high school jazz instrumentalist at the 2000 Spotlight Awards competition in Los Angeles. He immediately began working many casual and performance gigs for the LA Music Center, which included an opening set at the 2001 Playboy Jazz Festival at the Hollywood Bowl. That summer, he also recieved a scholarship to the Vail Jazz Foundation Workshop in Colorado, a pivital experience that influenced him to seek study in New York City. At age 17, Tom graduated from Hemet High School and began his dream of going to school in New York City, where he attended Manhattan School of Music on a full scholarship. In New York City, he attained invaluable playing experience on a nightly basis, playing with and learning from local musicians such as Roy Hargrove and Eric Lewis, as well as studying privately with Bob Mintzer. In 2004, at age 19, Tom came home to California and went on a short east-coast tour with the Clayton Hamilton Jazz Orchestra where they performed with several noteable artists such as Diana Krall, Joe Lovano, Michael Brecker, George Benson, Al Jerreau, Christian McBride, Peter Martin, Diane Reeves, Liza Minelli, and Regina Carter to name a few. Shortly after returning home, Tom began to branch out into San Diego where he played regularly with Gilbert Castellanos at the Onyx Room in Downtown San Diego, followed by a three year stretch with the Kevin Kanner Quintet at the Mint in Los Angeles. Currently, between gigs, Tom teaches private lessons in Orange County, Long Beach, and San Diego. Click here for more information. Downs has been an icon in the jazz industry for the past ten years. As former overnight host of radio station 88.1 FM KKJZ, the only straight ahead jazz radio format in Los Angeles, LeRoy has blessed the airwaves with his love and talent for creative jazz programming! “Programming creative jazz music was like a dream! The spirit, the mood, and all of the great sounds in jazz are the only universal elements needed for great jazz programming. It cannot be pre-planned. The spontaneity of selecting the music kept the ideas fresh, hip and sounding absolutely wonderful! but the love for the music kept me richer than the richest king!With a great baritone voice and a love for the music, LeRoy pursued a career in radio programming. After volunteering at radio station 88.1 FM KLON (now KKJZ), there was an opportunity to do a two hour show and LeRoy jumped at the chance. He was the substitute and overnight host for three months before he finally landed the Saturday night spot which eventually lead to the 5 night a week program host spot. He has been the Master of Ceremonies at the Monterey Jazz Festival for the past 7 years, the Big Sur Jazz Fest in Big Sur and has broadcasted from the International Association of Jazz Educators Convention in New York City. He has also been a well recognized host in Los Angeles at places like the Hollywood Bowl, Catalina Bar and Grill, The Jazz Bakery, The Museum of Contemporary Art, The Skirball Cultural Center, The Carpenter Auditorium, The Crown Plaza Hotel and can be seen weekly as the jazz host at the LAX Westin Hotel. ” LeRoy has developed an entertaining jazz television show called “Hangin' with the Jazzcats” that is currently being pitched for weekly programming. “Live with the Jazzcat” is his weekly radio interview show that is broadcast live on 1410 AM KRML radio in Carmel, California and online at “The Jazzcat.net”. Click here for more information. Michael Klayman – The Lens & The Eyebrow – Photographer Klayman fell in love with photography the first time he saw an image appear in the developing tray during his first photography class in high school. After graduating with a bachelor's degree in Imaging and Photographic Technology from RIT, he put down the camera for several years before buying his first digital SLR in the spring of 2008. Since that time Michael has shown his work in several local art shows and plans to premiere his new collection in February 2010. |
please contact Karin Carson
Chameleon Industries / www.jazzchameleon.com
San Diego Jazz Musicians Guild / www.sdjmg.org
karin.carson@sdjmg.org
619.581.6154