Yusef Lateef Performs at the Herbst Theater as part of the San Francisco Jazz Festival
by jazzcat on Oct.31, 2005, under News
The one, the only, the great Yusef Lateef, proclamator of Autophysiopsychic
music (mental, physical spiritual music), has been a master and a genius of
jazz music for many, many decades. Tonight, we are celebrating 85 years of his
life and his music here at the Herbst Theater in San Francisco for another exciting
performance of the San Francisco Jazz Festival.
Orrin Keepnews, the long time producer and owner of Riverside records, has known and worked with Yusef since
the early 50’s and 60’s. He stands in place of Mr. Randall Klein tonight as he
welcomes the audience and gives many praises to his great and wonderful friend.
He says that Yusef is the only one he knows in this business that is older than
he!
As I am sitting and listening to Orrin, a wonderful thing
happened. There was a gentleman who was to be seated next to me for the
performance. As he was escorted to his seat, I overheard him say that he had
just had dinner with Yusef backstage for Yusef’s birthday and that his name was
Prince. Now, I am not talking about the leader of the New Power Generation, but
Prince La Sha, the extraordinary tenor, flute, barritone and multi-instrumental
wonder of jazz music. I introduced myself and we ended up hanging out until
3am, looking at pictures of him and Sonny, Trane, Woody, McCoy, Elvin, Ron
Carter as well as listening to music that he composed featuring these cats,
Herbie and many others. I will tell you that story another time but, it was a
fantastic encounter.
Yusef produces such serene sounds! Healing sounds. The
wonders of the East are upon us and his oboe enchants and speaks in the
silence. Adam Rudolph has an arsenal of percussive instruments on stage ready
for any encounter including those of the third kind.
Joseph Bowie blows wind through the mouthpiece of his
trombone ever so slightly. A soft calming breeze barely audible assisted by
silence and the exchange of resonating gongs, dissonant angular strikes from Sylvie
Courvoisier on piano and Yusef switching from oboe to tenor to flute to bamboo
flute. This is mental music that paints abstract pictures all through your mind
while stretching each instrument way beyond its intended boundaries.
It’s like dreaming in a rapid eye movement maze, walking with
caution on clouds of darkness, floating, guided only by the sounds of silent
blows, footsteps of percussion and ghostly shrieks of imaginary goblin like
sounds. It’s seems a bit spooky, but there is no fear. You walk with confidence
on the premonition of a path that already has your name on its destination. You
listen to the faint touches, taps and blows that suggest an endless array of
infinite potential in an enchanted forest of sound where all things are possible.
Strings of the piano plucked, muted and taped down sound
like spiders running with tap shoes on all eight legs. There are wooden flutes,
African chants, improvisation of didgeridoo sounds and a constant source of
evenness in the silence which acts as a conduit for a plethora of cacophonic
separation. Yusef rocks back and forth as if to be channeling this energy.
Breaking down the molecules of life, extracting the poison and restructuring
the deoxyribonucleic acid to form a perfect strand of pure love.
If you are lost in the maze of your mind there are constant
clues to put you back on the intended path. The music resembles life in the
same sense that we may not know where we are going until we experience déjà vu. There are triumphs, pitfalls,
obstacles, encumbrances, encroachments, serenity, confusion, enlightenment, mayhem,
and cliff hangers that can only be understood when tapped into a super hypnotic
state of intellectual altered worlds.
Yusef reads his poetry with the music. He speaks of leaves
that wave at you and protoplasmic flowers plucked and floating towards death.
What was their mission? These are thoughts about life that extend way beyond
the box of knowing and into the search for that which we do not know that we do
not know. A realm that exist in a galaxy floating with answers to questions not
even comprehensible enough to fathom. These are more than just poems, they are
prayers and he is praying for us. He is praying for the life of humanity. When
the leaves blow in the wind and wave to you that is life saying hello, did you
overlook the pleasantry? Is the flower’s purpose to be pulled from the life of precious
mother earth and put in a vase just to please us? What is their purpose?
Wisdom is sought from the ancient mystical tribal spirit of
the music. Yusef is summoning the spirit for these answers and he weeps in the
process. He is seeing life from another plane and he feels the pain from all of
our useless self destruction.
I was in a deep state of relaxation with my eyes closed and
I felt the music plunge into my soul and begin to lift my spirit with its
healing powers. I should have let it take me, but instead, I opened my eyes and
dropped back into my seat. We are all afraid of the unknown. Perhaps there was
a message that was waiting for me that I missed.
On stage these four minds and four bodies tap into something
that resembles prayer, healing and goodness. These prayers are to eradicate
evil and promote love, life and waves of light. I hope that there are answers
out there because the music, poetry and prayers are for us!
LeRoy Downs
October 25th, 2012 on 7:24 pm
Hi, I’m interested in doing a drawing of Yusef Lateef. I found an image of him from the cover page of your October 2005 post “Yusef Lateef Performs at the Herbst Theater as part of the San Francisco Jazz Festival” and I was wondering, do you happen to have, or know someone who has a higher-resolution version of the image?
Cheers,
-Tyler Patterson
October 25th, 2012 on 7:33 pm
Hello Tyler,
Not sure exactly which picture you are speaking of but, you might be able to contact Concord Records and ask them about the image. Send an email to Down4jazz@gmail.com with the right photo and I will try to help you locate a high res picture.
The Jazzcat