Click, Listen, Register, Play, Love, Celebrate!!!!
Images for the KPFK Hero Awards at Catalina Jazz Club 2011
VIP Ticket includes a sepcial meet & greet reception with appetizers, an exclusive KPFK gift bag and preferential reserved seating.
*Dinner or 2 items minimum required at each table at Catalina’s
A benefit show for KPFK’s Studio A Project
Click and Listen to an interview with John Beasley
The Performance will be at the Walt Disney Concert Hall December 6th & 13th at 11am
Jazz is a state of mind.
It’s an entity of people and ideas that fulfill the individual expression it inspires.
When Mr. Maupin’s October 26th concert is over and the music lingers as a whisper in the mind, how will we feel about this mysterious matter? Is Jazz really more than music? Could it really be a way of life, a way of being, a way of thinking?
Let’s explore together. Let’s follow Bennie Maupin’s masterful lead, You’re invited to be with us.
The jazz piano duo Andy Milne and Benoit Delbercq in a concert with Strings
Plying rhythmic forms and sonic colors in a shared language of improvisation, jazz pianists Andy Milne and Benoît Delbecq (a.k.a. Crystal Magnets) partner with the Japanese koto duo TsuguKaji-KOTO, amid the swirling washes of Saki Murotani’s projected animation. Conceived and composed by Milne—founder of Dapp Theory and noted veteran of New York’s downtown jazz scene—the 75-minute epic draws on the myth of the Rainbow Serpent as it opens new multilayered dialogues between East and West, sight and sound.
As the piano duo Crystal Magnets, Milne and Delbecq are known for fluid melodies and percussive prepared-piano textures, while the twosome of Ai Kajigano and Tsugumi Yamamoto explore the vivid tones of the koto in original repertoire that connects the traditional with the contemporary.
Musically, the project explores a synthesis of Japanese and Western structures in terms of form, improvisational language, and rhythm. Seamlessly blending traditional and modern koto textures with the language of jazz and contemporary improvisation, the compositions explore a polymetric approach for prepared piano and koto, expanding the interaction of rhythmic forms and sonic colors between the music and the animation.
Visually, Strings and Serpents features a 60-minute animated film based on the Rainbow Serpent mythology and employs 2-D and 3-D computer generated imagery (CGI), inspired by the music. A visual narrative unfolds without dialogue or subtitles, and projects a visual composition that experiments with color, shape, texture, light, and motion to enrich the relationship between the pianos and kotos.
Crystal Magnets is a piano duo from two masters of contemporary improvisation, Canadian Andy Milne and Frenchman Benoît Delbecq. In 2007, they received the French-America Jazz Exchange commission from Chamber Music America to develop and record “Where is Pannonica?” Using the sonic landscape of the 5.0 surround sound format for inspiration, the music was composed in part to exploit the unique potential for placing specific compositional elements in distinct regions of the mix. The New York Times lauded the recording as a “strangely beautiful new album” from two “resourcefully contemporary pianists, both drawn to quixotic interrogations of harmony and timbre.”
Both Milne and Delbecq are recipients of the prestigious Civitella Fellowship and, individually, lead and compose for numerous projects, tour extensively throughout the world, and are highly regarded within the jazz and creative music communities of New York and Paris, respectively.
Toronto native Andy Milne is best-known for his six years in the ‘90s as keyboardist with alto saxophonist Steve Coleman’s different bands, as well as leading his own Dapp Theory combo since 1998. Milne’s recent and upcoming projects include experiments with small group improvising and composed orchestral music; collaborations with a fellow pianist, two kotoists, actors and a comedian. Plus his associates hail from the US, France, Japan … and even outer space.
Milne draws inspiration from various forms of music, politics, philosophy, comedy, and science fiction. His musical influences include Thelonious Monk, Art Tatum, Herbie Nichols, Bela Bartok, Joni Mitchell and Stevie Wonder. Considered one of the most important and respected voices in jazz today, Milne is the recipient of numerous awards and commissions, including the prestigious Civitella Fellowship in 2011.
Milne has established himself as a distinctive voice at the heart of New York’s creative jazz scene, performing throughout the world in numerous settings, including collaborations with a range of artists including Ravi Coltrane, Carlos Ward, Carla Cook, Sekou Sundiata, Avery Brooks, Geri Allen, Dianne Reeves, Robin Eubanks, Red Mitchell, and Sonny Greenwich. His innovative rhythmic approach combined with his extensive harmonic lexicon place him at the forefront of young pianists poised to carry on the lineage of creative masters like Herbie Hancock and McCoy Tyner.
The Angel City Jazz Festival is in full effect with some of the most progressive and prolific jazz music that Los Angeles has ever seen or heard! This festival is booked with the creative in mind, those seeking more extraordinary experiences in composition, integrity of sound and original, organic vibrations in music.
Performances this week include:
Slumgum is a perpetually inventive quartet of adventurous musicians. The band’s unique voice is shaped by unbridled imagination and diverse influences that include jazz, free improvisation, world music, and modern classical music. They collaborate with a facility and playfulness that is rare for an ensemble, giving their musical curiosity room to explode and yielding daring results. All of these qualities find a home in the band’s innovative and colorful compositions. Performing live, Slumgum delivers their original music with spontaneity and a blend of grit and finesse. For the audience, Slumgum’s exhilarating music projects their sheer joy in playing together.
Internationally documented, Chicago-born, New York City-based sound experimentalist Matana (m(a)-ta-na\) Roberts, works in many performance/sound mediums including improvisation, dance, poetry, and theater. A dynamic saxophonist, composer, improviser and mixed media sound conceptualist, she aims to expose the mystical roots and the intuitive spirit raising traditions of American creative expression in her music and art. Her innovative work has forged new conceptual approaches to considering narrativity, history, and political expression within improvisatory structures.
“Cathlene Pineda has the ears, touch & sound of a seasoned player decades beyond the date on her driver’s license – what a surprise to find that she is still at the beginning of her career. Record companies, this is your wake-up call – she’s a player to watch….and a name to remember.” – John Schneider, The Global Village KPFK-fm
Award-winning pianist and composer Cathlene Pineda has carved out a significant career in creative, improvised music, both as a composer, and as a performer. Her extensive classical background combined with a unique approach to harmony makes her a fresh and innovative contribution to the Los Angeles jazz scene. She was recently featured on KPFK’s “Global Village Thursdays” with John Schneider and invited back to perform her original music with her trio.
This performance will mark the premiere of a new work commissiond by the Los Angeles Jazz Society featuring a collaboration with most recent Poet Laureate of Los Angeles Eloise Klein Healy, inspired by her poem ‘Passing':
Over the course of a six decade career, pianist, bandleader, and composer-arranger Toshiko Akiyoshi has made a unique and vital contribution to the art of big band jazz and has also made a unique and vital contribution tot he international presence of outstanding female jazz artists!
Silver Orchestra is an ensemble consisting of twelve instrumentalists and was created with a vision that concerns an exploration of musical languages and systems with a developed experimental performance practice for the larger ensemble.
The creative orchestra as a unit is a perfect universe organized by the musical director as a utopian model. This model is also a social organism which functions within the context of democratic ideas and embodies the individual and the collective expressions. Silver Orchestra’s music is the result of the particular view of its creator, the composer/improviser/performer. Sonic-unit fields within the context of the performance space are used to redefine and orchestrate a complex music field where the relations of its instrumental tonalities, sound, rhythm, range, weight, spatial depth, silence, and space (horizontal and vertical); its velocity/density/textural structure (with their rates of evolution scored) are the elements of building a new creative orchestra. With this musical construction, the Silver Orchestra creates a multi-sonic spectrum, that when realized in performance is much larger in sound form than ensembles employing the triadic and harmonic traditions. The rhythm-unit fields play a vital role as to how the sonic fields will shapes the philosophical and psychological meaning that is always inherited within every constructed music object.
Anthony Braxton is recognized as one of the most important musicians, educators, and creative thinkers of the past 50 years, highly esteemed in the creative music community for the revolutionary quality of his work and for the mentorship and inspiration he has provided to generations of younger musicians. Drawing upon a disparate mix of influences from John Coltrane to Karlheinz Stockhausen to Native American music, Braxton has created a unique musical system that celebrates the concept of global creativity and our shared humanity. His work examines core principles of improvisation, structural navigation and ritual engagement—innovation, spirituality and intellectual investigation. His many accolades include a 1981 Guggenheim Fellowship, a 1994 MacArthur Fellowship, a 2013 Doris Duke Performing Artist Award and a 2014 NEA Jazz Master Award.
There are 2 stages at Barnsdall park – The Outdoor Stage and the Gallery Theater!
The Brad Dutz Quartet blends 20th century acoustic classical chamber music with elements of improvisation and jazz. The combination of marimba and cello mixed with bass clarinet and oboe treat the listener to an unusual palate of instruments rarely heard in new music.
The Brad Dutz Quartet first carne together in 2005 for a New Music Festival at the Red Cat Theater. BRAD describes the group; “I wanted a chamber group that was acoustic and jazz-influenced as well as classically based with unusual colors”. The compositions and instruments create that.
Gavin Templeton is a Los Angeles based saxophonist, woodwind player and composer. He has been recognized as “a pivotal force in the L.A. progressive jazz scene” (Glenn Astarita, All About Jazz) for both his personal contributions to new music as well as his collaborations with a variety of internationally recognized performers and composers. Templeton has recorded alongside Nels Cline (Rolling Stone’s 100 Greatest Guitarists), avant-garde jazz legend Vinny Golia, and Grammy nominated big band leader Alan Ferber among many others. As a solo artist and composer, Templeton has released three different albums over the last three years to critical acclaim, and, as a performer, Templeton is quickly becoming an in-demand concert artist. He will be performing as a featured artist at the 2014 Angel City Jazz Festival and at the 2014 Monterey Jazz Festival with the Daniel Rosenboom Quintet.
Michael White is a truly original and groundbreaking violinist in the realm of jazz. He is also a composer, educator, innovator, and major recording artist formerly on Capitol, Columbia, Impulse and Elektra/Asylum records. In the 1960s, he introduced his unique violin style into the jazz scenes of the Bay Area and New York, playing with luminaries such as John Coltrane, Sun Ra and Pharoah Sanders among many others. In the early 1970s, he was a founding member of the ﬁrst fusion group, the “Fourth Way”. He released ﬁve albums with the Michael White Quartet on Impulse records, and toured throughout the United States and Europe. He has performed in Lagos, Nigeria with Stevie Wonder and Sun Ra. He continues to play with Pharoah Sanders, appearing on Sanders’ 1996 album Message From Home. In 1998 he released an album of duets with Bill Frisell entitled Motion Pictures.
Daniel Aaron Rosenboom (b. 5/7/1982) is a creative and prolific trumpet artist, composer, and producer. Named the “Face To Watch” in Jazz for 2013 by the Los Angeles Times, he has been recognized with grants and awards from ASCAP, the Yvar Mikhashoff Trust for New Music, the American Composers Forum, and the Meet the Composer foundation.
Rosenboom has recorded six full-length albums under his own name, and the most recent, Fire Keeper, will be released on Orenda Records on March 18th, 2014. Additionally, he has released three full-length albums with his “hardcore-Balkan-jazz-rock” group PLOTZ!, four full-length albums with his “spontaneous composition” jazz-rock group DR. MiNT, and has appeared as a featured collaborator on albums by Vinny Golia, Harris Eisenstadt, Trevor Anderies, Dorian Wood, David Rosenboom, RootSystem, Geoff Gallegos’s NineNet, Killsonic, Got Monk?, and The Industrial Jazz Group.
Azar Lawrence has been a force since he graduated from high school, releasing several albums of his own before the age of twenty-five; Bridge Into the New Age, People Moving People, and Summer Solstice, Shadow Dancing and People Moving. In recent years he released Legacy and Music of John Coltrane, Speak The Word and Prayer For My Ancestors. During the eighties he wrote and performed for Earth Wind Fire, on their highly acclaimed release Powerlight. He collaborated with Earth Wind & Fire’s leader Maurice White.
Azar is known to bring jazz to popular music and he can also be heard on the late Frank Zappa’s music to playing in Busta Rhyme’s video, In The Ghetto. His credits are numerous from early on one being the highly acclaimed Grammy award winning album; Marvin Gaye’s, Hear My Dear.
On Discoveries, Nelson taps into his inner child to find inspiration through the works of Jules Verne and H.G. Wells, but the pianist’s music doesn’t come off like a reflection of these authors’ retro-futurist tendencies. Nelson’s writing is modern, in the here-and-now, and crafted with a broad harmonic vocabulary that helps to create a rich musical mélange to fire the imagination. His ability to build intricate, interlocking motifs, while simultaneously painting broad swaths of complex colors in swirling fashion makes him a man with few equals
Named “the latest Cuban wunderkind to arrive in the United States” by BET Jazz, this classically trained violist and pianist from Santiago de Cuba, considers himself “a curious person who loves music”, and portrays his music as an architectural structure of sounds, incorporating contemporary classical music, Afro-Cuban rhythms, and improvisation as primary material for his compositions. He has received a number of awards such as Latin Jazz Corner’s Arranger of the Year (2011) for his contribution on the album, “El Cumbanchero” (Jazzheads 2011) by flutist Mark Weinstein; Best Jazz Interpretation, Festival de Jazz in Vic, Spain (2000); and Semifinalist, Jas Hennessy Piano Solo Competition, Montreux, Switzerland (2001).
Taborn became one of the most in-demand musicians in New York. Although his time with James Carter would come to a close, the Roscoe Mitchell and Hugh Ragin projects continued and Taborn formed another longstanding collaboration with Tim Berne. He also played in projects for Drew Gress, Chris Potter, Dave Douglas, and Mat Maneri on the jazz side as well as serving as a hired gun for Bill Laswell and Meat Beat Manifesto. In 2004, he issued Junk Magic on the Thirsty Ear label, turning away from the traditional piano trio and incorporating all kinds of electronic elements.
Taylor Ho Bynum has assembled an all star ensemble of west coast luminaries to perform for his Acoustic Bicycle Tour, which is an ongoing performance journey where Taylor travels solely on bicycle, presenting solo concerts and playing with ensembles of area musicians. The endeavor is an act of composition, a performance art piece, a philosophical statement, a celebration of musical community, and an exercise in extreme physicality. There are clear analogies between choosing to travel by bike and choosing to pursue a career in creative music: the trip may be slower and more arduous, but it is ultimately more rewarding in its acoustic pleasures and unexpected delights.
He made his big splash on the jazz scene after he moved to New York in his mid-30s and subsequently played with the Gil Evans Orchestra, Jack DeJohnette and McCoy Tyner. Renown for his ripe, passionate, vibrato-rich sound, Blythe recorded on Columbia Records through much of the 1980s and his most recent recorded appeared on the Savant label between 2000 and 2003.
He recently underwent a serious kidney operation, which affected his ability to walk and swallow foods. He is also struggling with Parkinson’s disease. While he’s slowly regaining strength at a rehabilitation centre in California, he needs financial support to pay bills and to get the help of a good neurologist.