Cassandra
On my way back home from my latest trip to
Just like in concert, Cassandra transports you from your seat into her own world. You are no longer in control because you are mesmerized by the sound of a voice that is deep, dark, rich, powerful, sweet and lovely.
The stage is lit wonderfully. Each instrument is glistening in reds, purples and hues, hues of blues, blues, blues! At first silence, a banjo solo, the introduction, the band and then Cassandra! The audience at Royce Hall exploded as Cassandra dropped us all down into that down home beat. The back woods, the country, the marsh, the Delta, where you get you feet wet and dirty and the sun is burning your skin. Reginald Veal thumpin’ hard and strong on bass while Gregoire Maret layed down some cool duck sounds on harmonica. It is going to be one long set of fantastic music.
She started the evening with a Muddy Waters tune Honey Bee followed by an
The little drummer girl, marches on. TLC, tender loving care, Terry Lynn Carrington is holding it down as usual. The perfect back drop for Cassandra, a woman who is 100% herself and is so comfortable in a style that is unequivocally and uniquely all her own.
Jeffery Haynes is
extraordinary on percussion as he delivers a cavalcade of sounds
ranging from soft and warm to a multitude of rhythmic power. Cassandra
breaks out with “Last Train to
I certainly admire odd time signatures. I think there is room for so much creativity and Cassandra is no stranger to the primes. Singing like a lullaby, the audience is wrapped up, cradled in her arms and rocked, not to sleep, but comfortably just like babies looking up gazing at the source. Then the roar of the African beat of “Lay Lady Lay”
A ballerina of
musical sound dancing melodically and spinning in a pirouette of
precision, Cassandra is mesmerizing. Sting’s “Fragile”, “If Loving You
is Wrong” and “Like the Sweetness in Life With You” were spewing with
Cassandrasoul! Another outstanding performance by the reigning diva of
musical soul, Cassandra Wilson.



