Not one to toot his own horn, Herman let his
soaring solos do the talking. Whenever the
top tenors gathered to jam, Herman had them for lunch! Justo Almario adds, “After hearing Herman one
night, I rushed home to practice!” Expressing
both anxiety and endearment backstage, another popular player asked, “Can’t you
juggle the lineup --- Why do I have to follow Herman?” Riley was gracious yet daunting as his robust
tone garnered the respect of fellow musicians and fans alike.
Whether he torched the bandstand, serenaded lovers at dimly lit
tables or navigated charts in the studio, Herman Riley excelled in any
setting. A seasoned reedman who transcended
boundaries, Riley explored a vast spectrum from Jazz and R&B, to musicals
and motion picture scores.
This quiet, wind wizard mastered the tenor
saxophone, b-flat and bass clarinets, the oboe, English horn and several
flutes, displaying total command of his arsenal. Herman weaved engaging, intricate tapestries
while his poignant ballads gently caressed the listener.
A native of
Following a two-year stint in the army, Riley
migrated to
After studying privately with Kirk
Bradford, Riley shared the bill with the likes of Art Hillary, George Morrow,
Bobby Bryant, Phil Upchurch, Benny Carter, Count Basie, Louie Belson, Bill
Holman, Ray Charles, Benny Powell, Oscar Brashear, Duke Pearson, Philly Joe
Jones, Nelson Riddle, Oliver Nelson, Ray Brown, Gene Ammons, Grady Tate, Donald
Byrd, Jerome Richardson, Blue Mitchell and Lionel Hampton.
During Motown’s heyday, Herman played
Herman toured
Mr. Riley is listed in Leonard Feather’s Encyclopedia of Jazz. Pound for pound, he was a prolific titan
of the tenor. Away from the spotlight,
Herman modestly lived The Life of Riley. His dues are paid in full. Mr. Riley is survived by his wife, Thelma;
daughter, Sheenell Riley and grandson, Ethan Boone.
§
Jeffrey
Winston
A native of



