Archive for November, 2011
Only a Few Hours left to support this project!!! Waberi Jordan and the making of “Sunflowers in My Garden”
This is one of my favorite vocals and the visuals it projects have really touched me deeply with its exuberant sense of warmth, free spirit and love! Waberi turned a thought to a song, let’s help her visual become ours!!!!!
The pulse of the planet is always where the music is. The Blue Whale is not only the epicenter of creativity in Los Angeles when it comes to jazz music but, it has been put on the map as the place to be, the hang, and the focus is on originality! The one thing that the Whale has which makes it unique is that it is constantly packed with a young conscious audience thirsting for the music! The support and love among this world of on point youthful humans is astounding.
Tonight, one of the most beloved and respected players in town has put together an array of supersonics that include his string quartet, tablas, horns and piano, bass and drums on the highest!
Many of these musicians, in fact all of them are leaders in their own right and here, they come together humbly for the greater good of classical, new, challenging chance taking music. Miguel is at the helm and is a warm, positive source of brilliance that shines and thrives with idealistic grandeurs of grace and beauty!
I can only write about these experiences while immersed in the richness of the sound. To my left is painter David Lair, who will be using the same frequencies to paint his imagery while under the influence of sound. It will be great to see where live music takes live art!
Not one note has been played and the entire place is packed. As soon as a bow goes anywhere near a string, one clap of appreciation turns in to a thunderous applause followed by an immediate whisper of silence so that all can hear and feel each vibration.
Miguel begins the evening with Quarteto Fantastico, a string quartet that he collaborates with and together they perform a piece written by a gentleman sitting to my right, Mr. Steven Ferguson, a man responsible for composition in the truest sense of the word!
Austin Peralta joins in on piano, as many others will soon follow suit as the evening crescendos into a foray of interesting combinations; piano and strings, gorgeous! They go from a lovely intro into a Robert Schumann composition. All sounds and colors represented and the classical vibrations put the audience on point; separating them from the foes and the outer forces of the world and allowing their bodies to calm down to hear the precision of tonality.
Peter Jacobson, the cellist has his brand new baby in the house and Kuma shrieks with joy from the back of the room as the fifth and unbeknownst secret member of the band makes his musical statement.
With jazz, I am so used to listening for the incredible cognitive sounds of improvisation but I find this evening that it is quite pleasant to actually listen to a re-interpretation of what the composer actually intended. A different yet satisfying experience to be in the moment and feel the joy of the musicians focused on the happiness of precision!
To the stage come Zach Harmon on drums and Gabe Noel on bass: as the pastels of the sky streak into their infinite canvas of natural glowing beauty, so does the music paint it’s imagery of life.
Joy and beauty indeed but, happiness persists to be a major element in the music as the pianoless quartet weave the strings like a Laker fast break on “Celia”, Bud Powell’s piece transcribed for strings. Always seeking the best in music, Miguel also arranged a killin’ arrangement of the Bill Evan’s solo on the standard “Isreal” for violinists Paul Cartwright and Chris Wood; strings singing so beautifully on a super soulful bed of bass and drums. Robby Marshal joins the stage with an A-Clarinet, purchased specifically for this piece of music. What is that if not love and dedication to sound?
This is Miguel’s third week in a month’s residency here at the Blue Whale and there is different music written each week for the performances. All honor and love go out to owner Joon Lee who has created an environment for originality to flourish.
Do you know the feeling of being in a small lounge packed with people listening, eyes closed and not knowing anyone else is there but you? Its called sonic transportation and without and individual who has true understanding of the music and the art form, the struggle for free speech with a safe platform in music would continue. Here in the musical kingdom of Lee, everyone takes the throne and is knighted royalty!
Robby Marshall and his “Roots” band is next to grace the space after the break. Besides Robby and Miguel, there is a whole new cast of characters that bring their love to the stage and the instrumentation is plentiful. Larger ensembles have to be full of love because there is usually not an overflow of compensation but certainly the cup runneth over with love, commitment and dedication to unity in sound. The are joined on a few occasions by Quartteto Fantistico to make for some gorgeous music!
Rhythm and soul usually are the key words denoting popular music but make no mistake here, they are the fertile garden in which beauty blossoms. Big phat phrases of original homegrown music is upon us, “Lila Rasa”, “Barranco” and “Song of the Sabia”, written by Antonio Carlos Jobim, all filled with rich Brazilian and South American percussion and deeply “Rooted” in the Afro Peruvian tradition.
The gentle Brazilian breezes really start to blow when Marcel Camargo joins in and turns warmth to romance. Matt Politano’s highlights on piano support the strings, as Robby becomes the wind. These are all pieces from Robby’s new album called, “RootSystem”, music layered with passion and laced with love.
A Politano blues swings into a tenacious trio on steroids, a symphony of horns and strings ascend and float down notes like snowflakes dissolving on tongues, and all kinds of configurations fill the spectrum from solo to the stratosphere. As Mingus would say, “Better get Hit in Your Soul”! Get the music, visit the venue, and be ordained forever hip, as you will be on the path of enlightenment toward true sound and a new true you!
LeRoy Downs – The Jazzcat
The Pulse of the planet is always where the music is. The Blue Whale is not only the epicenter of creativity in Los Angeles, it is been put on the map as a place to be, the place to hang, the place to listen and hear music and what many places don’t have, a consistency of youthful consciousness. I say listen and hear because folks think differently about music. Some need atmosphere, some think it’s social time but, if you are one who wants to hear, see, listen and feel the music, the Blue Whale is your spot!
The support and love among hope this world of on-point humans is astounding. All honor and love goes out to owner Joon Lee for loving and understanding the music, the heart, the struggle, the clause and the solution! Tonight, one of the most beloved and respective players in town has put together an array of super sonics that include his string quartet “Quartetto Fantastico”, with morphing versions of piano, bass and drums as well as horns. Many of the musicians, in fact all of them are leaders in their own right, humbly come together for the greater good of classical, original, challenging and chance taking music at the pinnacle of sound.
Miguel Atwood Ferfuson is a warm positive source of brilliance that shines and thrives with idealistic grandeurs of grace and beauty. Every Wednesday in this month of April, Miguel Atwood Ferguson along with Robbie Marshall and other beautiful musicians strive to present new, exciting and thought provoking music every week.
I can only write about music while listening and being immersed in the richness of the sound. To my left, is a painter who creates visual imagery based on the same frequencies and it will be very interesting to see where the music takes his imagery. Not one note is been played and blue whale is packed. As soon as the bow hits a string, a huge roar of applause fills the entire room followed by a long shhhh of silence as the music begins.
Miguel starts out with the string Quartet and a piece written by his father Steve Ferguson, sitting to my right. Austin Peralta joins the group for a tune, as will many other fantastic musicians throughout the evening. Piano and strings, gorgeous! The love that is present in the music beams magnificently! They go from a lovely intro into a Robert Shuman composition. All sounds and colors represented and classical vibrations put the audience on point, separating them from the foes and forces of the world outside and allowing their bodies to calm down and hear only the precision of tonality. With Jazz, I am so used to listening for the incredible spontaneity of improvisation. It is quite pleasant to actually listen to a re-interpretation of what the composer intended. A different yet satisfying experience to be in the moment and feel the joy of the musicians focused on the happiness of precision.
To the stage comes Zack Harmon on drums and Gabe Noel on bass to join in. As the pastels of the sky streak into their infinite canvas of glowing florescence, so does the music as it paints its imagery of life.
Cellist Peter Jacobson has a baby in the house named Kuma who shrieks with joy from the back of the room; he is known as the band’s secret member. Joy and beauty yes, but happiness is also a major element as the pianoless band pass the strings like an excellent Laker fast break on “Cecilia”, a solo by Bud Powell transcribed for strings.
“Isreal”, is always one of my favorite tunes and is a killing hip jazz standard. Miguel is always seeking best in the music as he arranged the Bill Evans solo for strings and violinists Paul Cartwright along with Chris Wood make it sing over a bed of soulful bass and drums.
Robby Marshal joins in and is featured on the last piece. He recently purchased and has been practicing on an A-Clarinet specifically for this Brahms composition. Robbie, also one of our brilliant young thinkers not only plays great saxophone, but quite often blends and arranges several larger brass ensembles for and audible pallet of sheer cacophonic love!
“Root System” is his new band and other than Robbie and Miguel, an entirely new host of beautiful musicians come to the stage to present the new music. The instrumentation is plentiful and blends the sound of Brazil, South America, and Afro Peruvian grooves and rhythms. Only 50 copies of “home grown music” pressed for tonight. You can see how excited and proud Robbie is to bring these creations to the world, especially to an audience that can appreciate the complexities, harmonies and phatness of sound bursts on high!
Rhythm and Soul are usually the adjectives to describe Popular music but make no mistake, this percussion is rich and deeply rooted in the vein of a multitude of cultural diversity. Hand drums, seven horns, sultry rhythms and the beauty of strings makes this music and all encompassing experience.
Special guest Marcel Camargo adds his gentle Brazilian breezes on a few of the compositions allowing that hint of warm South American love to flow over his lovely sound on guitar; Matt Politano on piano, Dominic Thiroux and the bottom, Mark Ferber, an incarnation of past and present on percussion and Robby as the wind!
The Root System is joined by the entire Quartetto Fantastico String Quartet and the reproduce a lovely Hermeto Pascoal composition. This music is layered with passion and laced with love, a symphony of horns and strings ascend and float down notes like snowflakes dissolving on our tongues.
You get to have everything you want in this music which includes an entire spectrum of sound from solo to the stratosphere! So now you have it, Quartetto Fantstico and Root System, get it under your belt and fuse it into your musical being!